The Barber of Seville at the English National Opera: A Timeless Classic Reimagined

At the heart of London’s vibrant cultural scene, the English National Opera (ENO) at the London Coliseum recently presented a revival of Jonathan Miller’s iconic staging of “The Barber of Seville,” a production that has charmed audiences and critics alike since its debut in 1987. This rendition, under the baton of the trailblazing Roderick Cox, with Peter Relton reviving Miller’s original vision, reaffirms the timeless appeal of Rossini’s masterpiece, offering a fresh take on the classic while preserving its intrinsic wit and charm.

Rossini’s “The Barber of Seville” unfolds in a flurry of mischievous plots and delightful confusion, centered around the cunning Figaro, the lovestruck Count Almaviva, and the witty Rosina, who outmaneuvers her guardian, Doctor Bartolo, to pursue true love. The ENO’s production, led by African American conductor, Roderick Cox, a winner of the prestigious 2018 Sir Georg Solti Conducting Award, showcases a remarkable fusion of musical excellence and theatrical innovation. Sir Jonathan Miller’s direction, revived by Peter Relton, breathes life into this classic opera, making it as engaging and relevant today as it was decades ago.

The cast of “The Barber of Seville” delivers performances that are as stellar as they are nuanced. Charles Rice’s portrayal of Figaro is both vocally impressive and dramatically compelling, embodying the character’s wit and resourcefulness with a commanding presence. Anna Devin shines as Rosina, her soprano tones navigating the complexities of her character with ease and grace. Innocent Masuku, as Count Almaviva, matches his counterparts with a bright-toned performance that captures the romantic fervor and identity crises of his character.

Simon Bailey’s Doctor Bartolo is a delightful blend of bluster and vulnerability, providing much of the opera’s comedic backbone, while Alastair Miles’ Don Basilio dazzles with his rendition of the “calumny aria,” a testament to the depth and versatility of the ensemble. The addition of Lesley Garrett as Berta adds a layer of comedic excellence, her portrayal of the frustrated housekeeper highlighting the opera’s underlying themes of desire and societal expectation.

Under Cox’s direction, the orchestra delivers Rossini’s score with precision and vitality, ensuring the musical aspect of the production is as engaging as the on-stage antics. The set and costume designs by Tanya McCallin, together with the original lighting by Tom Mannings and its revival by Marc Rosette, create a visually captivating backdrop that complements the narrative’s unfolding chaos and charm.

This production of “The Barber of Seville” stands out not only for its impeccable execution but also for its commitment to diversity and innovation in the world of opera. Roderick Cox’s leadership as conductor is particularly noteworthy, his groundbreaking career serving as an inspiration and testament to the importance of diversity in the arts. The ENO’s decision to entrust this classic to such a visionary conductor adds a layer of significance to an already outstanding production.

In a season that has seen the ENO explore both new territories and classic favourites, this revival of “The Barber of Seville” is a resounding success, a blend of superb musicality, captivating performances, and thoughtful direction. It is a production that respects its source material while offering something new and vibrant, a testament to the enduring power of Rossini’s work and Miller’s vision.

Cast & Creatives

ENO @ London Coliseum, https://londoncoliseum.org/
Showing - 27 Feb to 29 Feb 2024
Composer - Gioachino Rossini
Director - Sir Jonathan Miller
Conductor - Roderick Cox (ENO Debut)
Photograpgy - Clive Barda
Cast:
Charles Rice: Figaro - Anna Devin: Rosina - Ava Dodd: Rosina, 27 February 1pm - Innocent Masuku: Count Almaviva (exc 27 February 1pm) - Theodore Browne: Count Almaviva (27 February 1pm) - Simon Bailey: Doctor Bartolo - Alastair Miles: Don Basilio - Lesley Garrett: Berta - Patrick Alexander Keefe: Fiorello/Figaro (Figaro: 27 February, 1pm) - Patrick Dow: Fiorello

ENO's production is a celebration of talent, diversity, and the timeless art of opera

Summary

A must-see for opera enthusiasts and newcomers alike, this “Barber of Seville” is a reminder of the joy, complexity, and enduring appeal of live theatre. The ENO’s production is a celebration of talent, diversity, and the timeless art of opera, making it a highlight of this season’s offerings.

Sending

User Review

0 (0 votes)