“The Comedy of Errors” at Shakespeare’s Globe Theatre in London is a delightful and uproarious production that showcases the brilliance of Shakespeare’s early farce. Directed by Sean Holmes, this rendition brings out the play’s inherent humour while also exploring deeper themes of identity and impending death, creating a well-rounded and engaging theatrical experience.
Visually, the production is a treat for the senses. Paul Wills’ set design is cleverly utilised, and the actors make full use of the Globe’s space, involving the entire audience in the energetic and fast-paced action. The physicality of the performances is enhanced by the inventive choreography by Glynn MacDonald, the Globe Associate for Movement, who ensures that every bump into a pillar and every entrance and exit is executed with precision and comedic finesse.
Overall, “The Comedy of Errors” at The Globe Theatre London, under the skilled direction of Sean Holmes, is a near-perfect production that embraces the play’s farcical nature while delving into its deeper layers of identity and impending death. With a talented cast, inventive staging, and attention to detail, this rendition is a joyous and memorable experience that showcases the magic of Shakespeare’s early comedy. It is a must-see for theatre enthusiasts and fans of Shakespeare alike.
Cast & Creatives
- Shakespeare's Globe, https://www.shakespearesglobe.com/whats-on/the-comedy-of-errors-2023/
- Showing - Wed 17th May - Sat 29th Jul
- Writer - William Shakespeare
- Director - Sean Holmes
- Cast:
- Claire Benedict - ABBESS, Matthew Broome - ANTIPHOLUS OF EPHESUS, Aamira Challenger - DOCK WORKER, Philip Cumbus - DUKE OF EPHESUS / PINCH, Michael Elcock - ANTIPHOLUS OF SYRACUSE, George Fouracres - DROMIO OF EPHESUS, Laura Hanna - ADRIANA, David Ijiti - OFFICER, Hari MacKinnon - ANGELO, Jordan Metcalfe - DROMIO OF SYRACUSE, Phoebe Naughton - COURTESAN / FIRST MERCHANT / BALTHAZAR, Danielle Phillips - LUCE / SECOND MERCHANT / MESSENGER, Paul Rider - EGEON, Jessica Whitehurst - LUCIANA
Delightful and uproarious production that showcases the brilliance of Shakespeare’s early farce
Summary
Overall, a near-perfect production that embraces the play’s farcical nature while delving into its deeper layers of identity and impending death.
1 comment
Penny
A wonderful review Robert. I will be booking this soon. Big Thanks! 😁