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Promotional poster for Jester Collective’s Hamlet at Theatro Technis, showing a young man behind prison bars against a dark stone background. 11Oct
Plays

Review: Hamlet – Jester Collective, Theatro Technis

Jester Collective’s intimate production of Shakespeare’s Hamlet at Theatro Technis, adapted and directed by Mark Prince, delivers powerful performances and an atmospheric soundscape. Conrad O’Callaghan impresses as Hamlet, alongside moving performances from Judit Denes and Ian O’Rorke, while the reimagining of Horatio as Horatia adds further emotional depth to this compelling four-star production.
Robert Cope by Robert Cope 232 0
The Anastasia File – Theatre Royal Windsor poster 30Sep
Plays

Review: The Anastasia File, Theatre Royal Windsor

Jenny Seagrove brings regal poise, vulnerability and tart humour to Roy Marsden’s absorbing revival of The Anastasia File at Theatre Royal Windsor. Strong performances, stark staging and a moody soundscape reveal the human cost of endless demands for proof. Historical exposition occasionally slows the pace, but the questioning becomes both compelling and unsettling.
Robert Cope by Robert Cope 392 0
Hilary Cordery as Margaret Woods seated above a glowing magenta platform in Ambiguous Proposition 13Sep
Plays

Review: Ambiguous Proposition, The Bakehouse Theatre

Hilary Cordery gives a commanding and emotionally layered performance in Shona Newmark’s intelligent one-woman play about an employment tribunal judge whose professional impartiality falters when her son is accused of sexual harassment. It is an absorbing exploration of judgement, maternal loyalty and questions that resist a simple answer.
Robert Cope by Robert Cope 550 0
Poster for the musical You & It, featuring a human eye overlaid with glowing digital circuitry 11Sep
Musicals

Review: You & It, King’s Head Theatre

You & It at the King’s Head Theatre is an engaging South Korean musical about love, grief, memory and artificial intelligence. Strong performances, accomplished live musicianship and thoughtful staging give it warmth, although the score needs greater variety and its central ideas could be explored more deeply.
Robert Cope by Robert Cope 692 0
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