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Plays

How to Build a Better Tulip

15th May 2014 /Posted byRobert Cope / 3444 / 0

Click here for Tabard Theatre website

Mark Giesser’s modern comic take on Alexandre Dumas’ classic, The Black Tulip, is a little gem of a play to be found playing now at the Tabard Theatre, a fringe theatre pub in Chiswick.

How to Build a Better Tulip is about the frictions revolving around two rival botanists, set in the horticultural department of a British university; Zoe Ann Bown as Audrey Braddock and Richard Lynson as Adrian Vanderpol. On first appearances, as part of their cover, Audrey ostensibly works with maize, and Adrian with petunias; however the rivals secretly battle it out to genetically create the worlds first black tulip. Matters aren’t helped when Audrey discovers that Adrian has taken up with her daughter, Perci, played by Zoë Simon. Furthermore both bear the meddling voices in their heads of their Dutch ancestors, who turn out to be the driving force that compelled them to turn to the tulip.

The rivals’ arguments coupled with the interferences by their ghostly ancestors form the backbone of the play. An enthusiastic lab assistant, Sheila, played by Molly Vevers, provides further contention, and an important discovery later on. Molly also plays one of the rivals’ ancestors, as does Martin Wimbush, who also plays a policeman. The ghosts, Cornelia Vanderpol and Carolus Hoofdorn, were they themselves rivals when alive, and appear from time-to-time in historic Dutch period costume.

Chaos ensues as disagreements escalate, and a talented cast manage to keep us entertained throughout and gave us a few laughs to boot.

how-to-build-a-better-tulip-03

how-to-build-a-better-tulip-02

The Tabard Theatre is just around the corner from Turnham Green tube station. Situated above a pub, the space is more than adequate and is as expected for a pub theatre. The seats are wonderful vintage, ornate velvet upholstered, wooden seats, obviously pulled from an old theatre, which makes for comfort.

Engaging
3.5

Summary

Chaos ensues as disagreements escalate, and a talented cast manages to keep us entertained throughout and gave us a few laughs to boot.

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About author

Robert Cope

About Author

Robert Cope

Robert Cope is the founder and editor of Theatre Life and a theatre critic based in Clerkenwell, London. He reviews productions across London and beyond, from fringe theatre and new writing to West End and regional theatre, with particular attention to performance, writing and staging.

Born in Essex, Robert has family roots in Uganda and England and lived in Kenya for five years during his childhood. He is active in local community and heritage causes in Clerkenwell and previously organised networking events for solo business owners from across London, with meetings held in Clerkenwell and at the Civil Service Club in the West End. He also collects for Prostate Cancer UK at football matches and enjoys backgammon, squash and walking in the British countryside.

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